#but i don't think i'd handle not doing it

[sugdenlovesdingle]

Remember when I said I was going to sleep?

I lied

---

He banged on the door, not bothering with the doorbell or even knocking like a normal person. It had taken him a minute to wrap his head around what Tommy had said, and yes he had let him walk out the door, but damn it the conversation wasn't over.

"Tommy I know you're in there, your car is in the driveway!"

He waited a minute before banging again. Part of him was a little satisfied seeing the stained glass window above the door rattling in its frame.

"Tommy! The least you can do is hear me out!"

He debated going round the back and trying his luck there when the door opened.

Tommy's eyes were red and he looked about as good as Buck felt.

"Ev- Buck... What are you doing here?"

"Don't call me Buck." he pushed past Tommy into the house.

"Everyone calls you Buck."

"You don't. You've never called me that and you know how much that means to me."

Tommy sighed and sat down at his dining table.

"Please don't make this any harder than it has to be."

"Why? So you can just cut me out of your life? Pretend the last six months didn't happen? Is that what you want?"

He was angry and he started pacing up and down Tommy's living room

"No. That is the last thing I want... But I'm a realist."

"No, you're a coward. You got scared and you ran."

Tommy didn't say anything, just stared at his shoes.

"Maybe I am too impulsive, maybe suggesting moving in after 6 months was too much too soon. But I know how I feel. How I feel about you."

"Evan... You came out six months ago. I can't expect you to... Settle for me. There is a whole world out there for you to explore."

"Trust me, I've done plenty of exploring. I told you about the time I spent travelling around, working every job I could find... I didn't always sleep alone during that time. And even when I first started at the 118... I explored plenty."

"Maybe. But not with a man. I can't ask that of you. And... I don't think I can handle saying goodbye to you when you realise you want more from life than me. My heart is breaking now but it would destroy me having to let you go in six months or a year, or maybe even a few years if we're lucky. "

"So you just give up? You decide I'm not worth fighting for? That I don't know that I want forever with you just because I only discovered I'm bi six months ago?"

"That... That's not what I'm saying. Don't you think I want this? Want this with you?"

"Considering you dumped me about two hours ago... I don't know what to think." Buck crossed his arms in front of his chest and gave Tommy an expectant look. "I thought things were good between us."

"They were."

"Then what is the problem?!"

"I got scared ok?! I've been here before, and I don't mean Abby. I was in a serious relationship with a guy and... I was crazy about him. Things were good. So good. I thought it was forever."

Buck sat down on the other side of the table.

"What happened?"

"He... Didn't think we were forever. More like for now." Tommy shook his head. "He... He told me he couldn't be my first and my last. That we both had to see what was out there. He broke my heart."

"But I'm not the same person as your ex." Buck reached across the table, silently asking Tommy to take his hand. "I'm me. I know what I want and I want you. I don't know what the future holds for me and you... But I'd like to find out with you."

"Evan... I want that too but... I have to protect my heart. I mean it. I don't think I could handle losing you if having you in my life for only six months makes me feel like this."

"I'm not going anywhere." Buck told him resolutely. "These past six months have been some of the best of my life. We have fun together. You indulged me with that curse, you're friends with Eddie and Chim, you get the job, you get the lifestyle that comes with it... You get me."

Tommy turned to face him.

"Evan... I... I want to believe this so bad but... I don't know if I can."

"Don't you want to try? Give us both a real shot at happiness?" Buck asked. "I'm usually the one that gets scared and does something stupid... But I can be the sensible and reasonable one out of the two of us if that's what you need."

"You shouldn't have to change for me."

"But I have changed. For the better. You made me feel... Like me."

Tommy shook his head.

"You did that all by yourself."

"Maybe. But you helped. Having you by my side helped. You make me feel secure. You make me happy Tommy."

"You make me happy too." Tommy admitted, finally reaching out and covering Buck's hand with his own.

"Then don't throw this away because you got scared. I promise not to mention moving in together again for at least another six months." Buck joked, happy to get a small laugh from Tommy.

"Ok." Tommy said after a minute. "Ok." he repeated more confidently. "I guess I can be brave if you are."

Buck smiled and bought Tommy's hand to his lips and brushed a kiss over the knuckles.

"I was hoping you'd say that." he got up and rounded the table, stopping in front of Tommy. "Now we missed the movie again... But maybe we can just hang out here and watch something?"

"Yeah. Yeah I'd like that." Tommy said and met him halfway when Buck leaned down to kiss him.

[somethingsteff]

Political prompt!!

President Obi-Wan and political reporter Anakin get in a heated discussion in the press conference room that leads to some heated sex😏

Almost 2k words later and I bring you this little morsel! I had a ton of fun with this and really leaned into the West Wing vibes for it (I maintain that Charlie would make a great bodyman for President Kenobi). I hope you like it, friend!

Obi-Wan felt his nails dig painfully into his palms, but he was unable to release the tight fists. It was bad enough that someone had gone after a school - a school, children! - but for one of the press corps to accuse the administration of not investigating to their fullest potential. It was unfathomable. They had just received confirmation from a local health department that the recent string of illnesses at a Mandalore school district was from someone maliciously tampering with their water supply that morning. The federal government only just got asked to intervene. 

What more could Obi-Wan have done? He had immediately quarantined the buildings and dispatched a third party investigatory team to the site. He contacted the CDC and WHO for support in quick and effective treatment for all those who have been affected. Hell, he even asked his bodyman to compile a list of names and contact information so he could make calls to all the families, personally. 

All he could think about as he got each update was how easily it could have been Korkie, poisoned and in the hospital, if Satine hadn't brought him with her to Coruscant so she could be her best friend's Press Secretary. And now she was fending off accusations left and right by one man in particular. 

Anakin Skywalker.

Though he was a relatively new member of the press corps, he was well on the way toward making a name for himself. Obi-Wan had been curious about the curly-haired reporter himself. Now he was only gritting his teeth and wishing the boy would just shut up. 

“Does this administration have any excuses for why it's not taking action toward any of the suspected perpetrators?” Anakin's angry voice rang out through Obi-Wan's screen as he watched Satine deftly handle the angry man. Again. 

He couldn't handle it any longer.

Quickly navigating the hallways in the West Wing, Obi-Wan didn't notice the wave of people standing as he approached and sitting after he moved past them. He made it to the reporters’ bullpen at the back of the Press Room in record time, and instructed an aide to hold Skywalker off after the reporters were dismissed. He wanted to answer some of his questions personally.

A guard kept the reporters from streaming past Obi-Wan, instead guiding them toward another door and out of the room, but allowed Satine to approach him.

“Don't do anything you'll regret, Obi. He's just an angry kid, he doesn't mean anything by it.”

He couldn't bring himself to answer her, but did squeeze her hand as she walked away, taking comfort in her corresponding embrace.

“Mr. Skywalker,” Obi-Wan walked into the mostly empty Press Room and gestured for the remaining staff to leave them. “I hear you have some questions about the incident in Mandalore. Rather than letting you continue harassing my staff, I thought I'd give you the opportunity to ask me your questions directly. Off the record.”

Anakin's face didn't change when he saw Obi-Wan walk in, he hadn't expected it to, but at the mention of the school poisoning anger flared up in his eyes once more.

“Gee, thanks, Kenobi-”

“President Kenobi.”

“-I do have a few questions for you. But it really all boils down to one; why are you sitting on your ass instead of doing something about the attack?”

Obi-Wan had to fight not to outwardly bristle at the accusation that he hadn't done anything. “I assure you, we are doing everything within our power to get to the bottom of this situation.”

“‘Doing everything in your power’?” Anakin mocked. “Please! You're all twiddling your thumbs until you can get an optics report so you don't lose face in the election cycle.”

A muscle in Obi-Wan's jaw twitched, but he let Anakin keep going.

“I really expected better from you Kenobi, this shitshow-”

“Enough.” Obi-Wan didn't raise his voice, but he let all the ice he'd been feeling in his veins since this whole situation started seep into his tone. “I am the President, and regardless of what you think of my actions you will address me as such and with the respect that position deserves. You will cease calling me ‘Kenobi’, you will call me ‘Mr. President,’ ‘President Kenobi,’ or ‘Sir.’”

It appeared that Anakin wanted to interrupt, so he held out a hand.

“Now. I don't give a damn about optics, especially regarding an attack on children. What I do care about is completing this investigation and prosecution quickly, thoroughly, and with as little impact on the victims as possible. I will not let this become a media storm, and I will not stand for you accosting my staff.” He looked at Skywalker for a moment before coming to a decision. “Were you aware that Press Secretary Kryze is from Mandalore? No? Well, prior to moving out here after my confirmation her son went to that school. She knows many of the children and parents, and in all likelihood she and her son would have been directly impacted were she not out here.”

Anakin finally had the audacity to look ashamed, quickly gazing down at the floor and scuffing the toe of his dress show against the carpet. His cheeks were beginning to turn pink, and Obi-Wan realized his own face felt warm and his breathing had become heavy. Throughout his lecture he had become more and more riled up, letting his famed control slip just a fraction, and it seemed to cause the boy in front of him to squirm.

Good.

While he took the time to catch his breath, Obi-Wan looked more closely at the reporter. He was fidgeting with the hem of his dress shirt - he vaguely recalled that it frequently became untucked as Skywalker used the edge to clean the lenses on his black-rimmed glasses - tugging it down lower and- oh.

Oh.

He was hard.

The thin slacks that fit snugly along thick thighs did little to hide the bulge that was now pressing along his inseam. Try as he might, there was nothing he could do to hide it from his President.

The silence finally stretched to its breaking point and Anakin looked up. His eyes were blown, pupils swallowing what Obi-Wan knew was a lovely shade of blue. “I'm sorry, sir,” he said in a small voice. “It won't happen again.”

Obi-Wan considered the stress he had been under for the past few days - really since he was sworn into office, but the additional stress of late hadn't been any help. With a deep exhale, he decided to test his luck and see if he couldn't partake in some stress relief while simultaneously ensuring this reporter really did learn his lesson.

He stepped closer to the young man, coming toe to toe and letting his breath fan across his face. “You're correct. It won't ever happen again. And we're going to make sure of that.”

Telegraphing his moves clearly so that Anakin could stop him at any time, Obi-Wan reached his hand out and cupped the nape of his neck, pulling their mouths together into a kiss that started chaste and quickly devolved from there.

Anakin let the older man's tongue slip into his mouth, submitting so beautifully, and followed his lead as Obi-Wan, President Kenobi, led him over to the podium at the head of the room. As quickly as the kiss had begun, it was over. Obi-Wan spun Anakin around and bent him at the waist, forcing him to brace himself against the podium with his forearms. 

“Now, darling, let us see if we can really drive this lesson home.”

Obi-Wan reached around and unbuckled the reporter's belt before opening his fly and pulling his trousers and briefs down to mid-thigh. 

He trailed one hand up the prone body before him and traced the plush lips. “Suck,” he said directly into Anakin's ear and felt the responding shiver as the younger man eagerly pulled the digits into his mouth. “That's a good lad.”

Thoroughly coated in saliva, Obi-Wan pulled his fingers back and let them fall to trace along the rim hidden between the perfect globes of Anakin's ass.

“Now relax,” he breathed as he slid one finger in to the knuckle.

Anakin's body quickly adjusted, and soon the single digit was joined by one, two, three more until Anakin was a panting, quivering mess. 

“Please, Mr. President. I'm ready, I'm, uhn, ready.”

“Very good, darling.”

Despite his blood supply diverting to his aching cock, Obi-Wan quickly undid his own slacks and pulled himself out of the ever-tightening confines. He spit in his hand and slicked up his own length before pressing the head against Anakin's loosened hole.

“Are you sure you want to do this, dear one?”

“Yes, Mr. President. I want you. Please.”

Obi-Wan slowly pushed in and immediately felt a glorious heat surround him. It was addicting, and he found himself hoping he could have this again and again. Once he was fully seated he paused, waiting for Anakin to adjust to his formidable size. Only when he felt Anakin's hips push backward, trying to fuck himself on the cock filling him, did he start thrusting.

Soon the only sounds in the room were the obscene slap of their hips and Anakin's constant gasps and moans.

“President Kenobi, I'm gonna-” Anakin's sentence cut off with a moan.

“That's it, darling. Can you come like this?”

Anakin nodded and Obi-Wan increased his pace, frantically slamming into the body beneath his hands. As he looked down to watch his cock disappear into the reporter - his reporter? - he shifted his grip on those glorious hips so that he could dig his thumbs in and pull those plush cheeks apart. The slight jostling must have changed their positions just enough because Anakin let out a long and wordless groan, his arms giving out beneath him. 

Obi-Wan continued to punish the younger man's prostate, chasing his own orgasm as much as he was his partners, when he felt muscles tense beneath his hands and around his length, Anakin letting out another cry as he spilled across the podium.

It only took one, two, three more frantic pumps before Obi-Wan felt his own release crash over him, hips stuttering as they worked to push his seed deep into his partner's willing body. When he finally felt the last dregs of his orgasm fade he let gravity pull his body on top of Anakin's on the podium, taking a moment to catch his breath before even contemplating slipping out of him.

“Thank you, Mr. President.” Though Anakin's voice was still a little shaky it sounded content and drowsy.

“I'm glad you've learned your lesson, Mr. Skywalker.”

He was forced out of Anakin as the younger man stood straighter and turned around. “I don't know, Mr. President. I'm a pretty slow learner. I might need another lecture.”

Obi-Wan rolled his eyes, but straightened them both up nonetheless and led the infuriating reporter over to the Residence. He had a feeling it would take more than one more lecture and he found he was very amicable to the idea.

[jusst-you-race]

For the CCC asks: can we get some simi?? I don't think Kimi would be one to text much so I have no idea how that would play out but I'd love to know about them in your universe

and also for @sashacat1 here is some simi!!! this took me quite a while to work out how I wanted to show their dynamic but I think i got somewhere kind of alright... hope you all enjoy!!! for the ccc snippet prompts

Seb Kimi look I saw a dog on the way to work!

image.png

He was a very good boy, his owner let me pet him. 

His name is Duke, I think this is a very good name for a dog 

Regal

Kimi ❤️

cute

Seb Argh my office plants are wilting!

I knew I should have brought them home before I went to that conference

You are so much better at looking after my plants 

Kimi wasn’t Jen supposed to water them?

Seb Yes! 

Of course you remember this and you don’t even work here

She said she forgot 

I don’t know how she could have forgotten when she had been in the office for two weeks while my plants have been drooping right in front of her face

My poor babies 

Kimi ☹️

Seb Yes I know I’m probably being a bit dramatic about it but it is upsetting!

I might have to bring these home for emergency care… 

They really aren’t doing so hot they’ve barely perked up after watering

Kimi I’ll pick you up after work

Seb Really? It’s not too much of a hassle?

I know it’s really out of the way for you

And we shouldn’t be driving unnecessarily 

But I don’t know how else I will get these poor babies home 

Kimi it’s fine 

Seb You are such a lifesaver 

I love you 

Kimi ❤️

Seb Oh I don’t even know where I’ll put them

We really are running out of space in the flat

I need to give all my new cuttings away! But I just want to make sure they’ll handle the stress of an environmental change

Do you think Charles would like a plant as a moving gift when he moves? 

I am very excited to have him around! 

Sometimes having a plant to take care of reminds you to take care of yourself and I feel like he will need that reminder in his final years of architecture

Kimi 👍

Seb Okay fantastic I am glad you agree

I think I’ll give him a pothos 

I have too many cuttings from my one and they’re easy to look after

Hang on what was I talking about?

Kimi space

Seb Ah yes 

The ones I’m bringing home are low light plants and I’m not sure we have any more room in the bedroom…

It’s getting quite full in there

The lounge would be too sunny, same with the kitchen

Maybe I have too many plants…

Kimi bathroom?

Seb Yes! 

Have I mentioned I love you?

Kimi once or twice

Seb Well I do 

That’s such good thinking I should be able to make some space on the counter for these two just while they get back to their usual selves

You won’t mind it being a bit cramped in there for a while will you?

Kimi no 

Seb ❤️

Okay wonderful! 

Now that I have a plan I really should get started on my work for today

I have so many emails… 

What does your day look like schatz?

Kimi Michael is bringing his car in

will probably spend most of the day on that

you know how he gets

Seb Oh yes that Ferrari is his baby

Scheiße

Why did you have to tell me you were working on a Ferrari today

I can’t be horny at work 

Kimi you asked

Seb I did 

I regret it 

God I’m going to be thinking about that all day

Kimi go answer your emails 

Seb But imagining you all greasy under a Ferrari is so much more appealing 

Kimi I’m not indulging this 

go do your work rakas

Seb Fine 😔

Take pictures?

Kimi of course 

Seb 🥰

Okay okay have a wonderful day schatz!

Kimi ❤️

[beef-brisket]

Bel turned to Lucifer. She didn't look offended, thankfully.

Bel: Excuse me, your highness?

Ghost Adam: Go on! Tell her! Tell her how a little angel on your shoulder made to hurt the evil cunt of a first man! Go on! Tell her! Tell her how you're going insane!

Lucifer twitched: N-Nothing Bel! Sorry about that. Just uh... stressed.

Bel smiled sweetly: I could imagine Lucifer. I'm sure looking after the first man I'd very stressful.

Ghost Adam: Oh- you have no idea~. I'm such a tandful! Especially when ones a retar-

Lucifer: Thank you-! For coming Bel, really! But I can handle them- him. It's nothing, really!

Ghost Adam: He's nothing. You really should throw him the sinners! I'd love to see them tear his flesh apart and fuck the wounds! You would to~. Don't deny it~

Bel: it's not... entirely nothing. You'll need to look after him. Keep an extremely close eye! And call me if you've noticed any changes. Slurred speech, drop in iq, basic motor skills start failing, his memory worsening. And seizures.

Lucifer: S-Seuizes?

Bel: Yes. Let me show you want to do if he has one.

Lucifer tried not to panic as Bel showed him how to put people in recovery position, how to tell it's a seizure. They sound horrible. He hopes Adam doesn't have one.

Bel: I know it's a lot, but you'll be fine. And you can call me!

Lucifer nods. He tries to ignore the fake Adam pretending to have one.

Ghost Adam: T-This isn't s-so bad! H-ha! I hope he has one! It'll be funny watching that fat fuck shake around! What a fucking sight that would be!

Lucifer sighed. One day he'll be rid of this pest, but no one can know about him, he doesn't want anyone to think he's loosing it-

Ghost Adam: Oh, but you are~!

In Your Head

Lucifer sighed as he held the guitar that he took from the battlefield. It was Adams guitar and aside from a few scratches it looked like it was in perfect condition.

Lucifer: I'm going to miss you old friend.

Though, was friend the right word? Adam was so much more than a friend to Lucifer.

Watching him get stabbed like that had been very hard.

Was it though?

Lucifer snapped his head up, eyes wide as he looked at the angel he thought to be long dead, his helmet gone and golden blood staining his robe.

Lucifer: A-Adam? What, how are you here!?

Adam smiled at him and it was too sweet for the Adam of today the one that he turned into. But not the Adam he knew in Eden.

Adam: Oh come on Luci, you're smarter than that. No one comes back from an angelic blade to the heart. Thanks for that by the way.

That nickname sliced through his core, he hadn't heard it in so long he almost forgot that's what Adam used to call him.

Lucifer: You're not real are you?

Adam: Bingo baby! Awww, it's actually sweet. You miss me so much that I actually take up space in that head of yours.

Lucifer: Why are you so..... Nice? But look like that?

Adam shrugged and moved to sit down beside him: Probably because you don't really remember what I looked like in Eden, but more how I acted. So you just kinda...... Married the past with the present. I don't know boo, it's your mind.

Lucifer felt Adam touch his hair as if to tuck it behind his ear, but since he wasn't real the hand just went right through him.

Lucifer: I don't get it, you weren't like this in Eden.

Adam: Maybe I'm a version you've always wanted.

That made sense in a way.

Lucifer: Why would I want a polite slightly flirty version of you?

Adam smiled gently and leaned in: Come on Luci, you know why. Stop lying to yourself.~

His breath hitched in his throat, sure he had always thought about what could have been between them but...... It was always just a fantasy.

Adam: A fantasy you could have made real.~

Lucifer: You didn't want me.

Adam: How would you know? You never asked or tried. You could have had me all to yourself.

Lucifer: I could have?

Adam: Yeah. But now you never will.

@fanofstuff01 @beef-brisket

[alexthebordercollie]

i'm always a sucker for the take that Ford does love kids, he's just not the best caretaker. i mean, he's immediately delighted to learn he's an uncle in tale of two stans, and he loves spending time with Dipper and Mabel, he's just kind of dense.

i think aus where he gets to be a dad with Fiddleford are so cute. and so interesting to see how he'd handle it. people always seem to forget what a softie he can be

Oh yes! It kind of bugs me how a lot of people act like Ford is cold when he really isn't. There are lots of little examples of him being an absolute sweetheart. He talks a big game about being logical and suppressing fear etc, but he's a deeply emotional person, and that comes through in his more personal journal entries. He's not some heartless robot. He loves sharing his joy and excitement with the people close to him. He craves human connection even though he's bad at it. He gets attached to weird little creatures like Shifty, he loves his niece and nephew and is genuinely happy to meet them. Not to mention Ford loves weirdness and creativity and kids are the weirdest most creative demographic of people out there.

I don't think Ford dislikes kids at all. I think his lack of emotional intelligence and tendency to be lost in his own world makes him a questionable caretaker. Not through apathy or malice, he's just kind of bad with kids. Making him a father is really interesting for this reason because I'm confident he'd love the shit out of his kids, but learning how to respond appropriately to their needs, keep them safe, and pay attention consistently when needed, would all be things he'd struggle with.

Ford also says as much in his journal that he didn't want to settle down and "start a family". I don't think he ever saw kids of his own as part of his future nor do I think he'd ever consciously choose to have them. That said these are the words of a young Ford with grand ambitions that children would have potentially gotten in the way of. I also think the way he shuts down the idea of "starting a family" is a response to the social pressure to get straight married which is also not something he would have wanted. I mean look how well that worked out for Fidds :/

But Ford's whole character arc is about humbling himself. Learning to let go of this fantasy of some grand destiny and find joy in just living life with the people he cares about. He learns to accept the love of others and to love himself without needing to prove anything.

Pictured above, is a combination of sleep deprivation and those little moments when you're a new parent and it dawns on you yet again that suddenly you have this tiny little human who's who world depends on you. That mix of fear and awe and overwhelming love that hits you in waves and turns your brain into mush for a moment.

Nik and Newt force Ford to put someone else over himself, forcing him to reassess his priorities much sooner.

Also I know this one wasn't really an ask but I really wanted to draw something for you because it was soooooo good seeing a real ask in my inbox. I would absolutely love to answer any asks people have about this AU. I'd love to draw more of Ford, Fidds, Stan, and the twins but it gets hard to decide what to draw with so many ideas in my brain. By all means, send me asks or suggestions for drawings and I'll do my best to respond to all of them.

[thingstrumperssay]

So women will have to do some things in order to keep them from getting pregnant and possibly dying or getting arrested for having a miscarriage.

In Korea there's a "4B" movement (called the "4 No's" in America):

No sex with men

No dating men

No having babies

No marriage

Needless to say, you should uninstall any dating apps you've been using.

But most of these men are losers who won't be getting any consensual sex anyway, so I'd like to add something to the list:

No meaningful interactions with a guy, period. I've seen incels assume that the slightest piece of positive attention from a woman means that they're into them, and they fly off the handle when their dick isn't sucked right then and there. Don't give them that.

Also, arm yourself with anything you can. Mace is legal where I live. You can have brass knuckles in some states. (Look up "wild cat key chains.")

This isn't to punish them. This to keep you as safe as possible.

Of course there are some exceptions to this. My husband is a left-leaning guy who immediately assumed that we're not going to be having vaginal sex if birth control (including condoms) is banned. If he wasn't so concerned about my health I would've gotten a divorce while it's still legal. If you're married to a man like that, then keep him. Otherwise-

Part of Project 2025 is banning divorce, period. I'm also almost positive that this includes making marital rape legal. (I'm pretty sure it is still legal in some states.) If you were thinking about getting a divorce, do it now.

[doverstar]

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly using one of the biggest monuments to her fear of commitment – the Twickham House. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[catkin-morgs-kookaburralover]

see sometimes I try and think about it all more logically. what if it was all happening to a friend. my friend!! you completely forgot to feed your kitten his wet food for five days? you haven't drunk water for a couple of days? you didn't shower or change your clothes for four days? you've only eaten two actual meals in the last two days? your average sleep in the last week is around five hours? my friend, you need help.

since it's me, I don't need help.

[glitter-stained]

That's super interesting because the thing is, we know exactly who is to blame for Jason's death in the story. It's Sheila and the Joker. In the story, it's not an accident, a case of we need to blame someone because no one is to blame, because every character in-world knows to blame the Joker and the reader even has the luxury of getting two culprits to blame.

So why is there a need to blame Jason?

Here are some justifications for Jason's death by dc that shift the blame off them:

-he didn't listen to Batman when Batman told him to wait (who made Jason choose not to listen?)

-he was captured by Joker (who made Joker capture Jason)

-"maybe if those readers thought about what they were doing to Batman when they voted to let Robin die, they might have changed their vote" (what the fuck is wrong with these people)

Aside from the cheap guilt-tripping, it's interesting to me that they're compounding an external explanation (Sheila and the Joker attacked him, aka the story happened to him) with an internal explanation (he didn't listen, aka he faced the consequences of his own actions). Again, I'd say it goes back to agentivity, but with a notion of responsibility: if you don't have agentivity, if the story happens to you, then you are a victim of the story, which is much less comfortable when the story has a name and can receive letters from sad and angry little girls upset their favourite superhero died. As said in the victim-blaming meta, increasing perceived agentivity can be a way to dilute empathy and create distance and make it much more comfortable : if Jason's actions led to his demise, then it's that much easier to wash your hands off it. (Plus notice the "belief in a fair world": they're basically saying Jason died because he wasn't a good little boy.) Anyway, idk if all of that makes sense but basically here dc dilutes responsibility between the story, Jason and the fans to reduce responsibility because they know how transparent it is that the joker is a plot device here, that he is killing jason because they needed someone to kill Robin. And then they use it to dilute responsibility again, and again, because they can't handle the stories they write, which is something I genuinely don't understand. Why would you write something horrible in the first place if you can't handle it? I don't think I would be nearly as upset with dc's choices if it didn't always feel like they were trying to bargain with their own shock value. Either face the horrors head on or go home, this is embarrassing.

Something about the batfam X Neverafter AU (fairy tales gone wrong AU) that's so important to me is that fairy tales were originally horror stories because they were cautionary tales. Because on a meta level, the use these people, these children had was that they could serve as warnings. "Do not stray off the path or the wolf will get you." Thinking about that response to fanmail where a little girl was sad Jason had died and the writer straight up answered "Jason died because he didn't listen to Batman." Thinking about how Jason was used as a cautionary tale for the rest of his death and even after he came back. Thinking about how Neverafter is all about that, about the loss of free will and identity that comes when your entire life is used to tell a story, to prove a point. Thinking about how this is a world where you can hold your son's bones in your arms because it's how the story goes, and thinking about characters saying "no. This isn't how the story goes. I'd rather break each of your elegant crafted rules and careful balance than accept how the story goes. Actually, I'd rather destroy everything that loves and lives and has ever mattered to anyone that bear victim to my story anymore. But I want to believe there's hope for something more." Thinking about Damian, heir to the demon and son of the bat, and thinking of Pinocchio cutting off his puppet strings that the stepmother was holding and throwing them in the air and becoming the boy of destiny. Thinking about how they all die and nothing changes, and death loses meaning and importance and becomes at the same time horrifyingly worse, as the way it's like nothing had changed and yet you lost something infinitely precious, and what does death matter anymore? This is just a story. Thinking about death the wolf that was boiled in a stew and skinned as a rug and eaten by a little girl. In most of my stories, I lose. I exist to be stopped. But I can only ever be stopped for a time.

Thinking about the batfamily members and which fairy tales they would embody and how they would fare in this universe where to survive requires an annihilation of the self, where suffering is a lesson and a happy ever after is a curse, where those wo do not look away from what they are tear their eyeballs out in horror. How they would fight, despite everything, for the hope of an alternative, against fairies and gods and everything that creates and everything that kills, for the right to self-determination, to be a person rather than an object, to write their own story.

And how they would fail.

This is a horror story, after all. We need to make sure the children have all learnt their lesson.

[jq37]

Just to throw my two cents on the Rat Grinder discourse: They weren't worth the Intrepid Heroes' time. We didn't get the full picture of what's going on with the Grinders until the last quarter of the season. Before that they were just this other clique that hate the main characters, so in-character why would the Bad Kids bother giving them so much attention when they've got so much of their own crap going on. Kristens quest to get Cassandra back and her presidential campaign, Gorgugs courseload, Riz's million and one plates that he's been spinning all season, Adaines financial problems, Figs curse and her doubts about what she wants to do with her life. Fabian's the only one who might have had the time, but he had to be Maximum Legend. There genuinely was no time or even an incentive on the IH's side to develop the Rat Grinders characters.

I still think it's fucked up that these teenagers got taken advantage of by adults they trusted, but we didn't learn any of that until we only had two roleplay episodes left. Too little too late to even try anything diplomatic even if they didn't spend all their time after the Last Stand in hiding.

And a thing about Ivy that no one is roasting her about and really should: An elven archer? Really? Wow, never seen that before.

Yeah totally. Like, from a meta level, I see where the players themselves could have been more curious about the Rat Grinders. There are obvious plot threads that could have been teased out there (though, in fairness to the cast, the adult manipulation aspect didn't become clear until way later in the season--the rivalry and foil aspects were more obvious). This final confrontation could look really different if they'd played that all the way out all season.

But in character? The Bad Kids really didn't have a good reason to waste time on the Rat Grinders. They came into this school year already burnt out from their Night Yorb quest and wanting a break. But they don't get that because they immediately are beset by problems they have to deal with--Kristen's god is on death's door from neglect and she's on the brink of expulsion, Riz is running himself ragged trying to boost his resume for college, Fig is having a whole ass existential crisis, Adaine is struggling with money issues she doesn't want to talk about, Gorgug is taking FOUR YEARS of school at the same time, and Fabian is multiclassing and dealing with his empty house/not having parental support (or Cathilda's support) for the first time. They are dealing with SO MUCH high stakes, personal stuff before the plot even kicks in. And, mechanics-wise, this is represented with the downtime system that means that any time they spend on the RG's is time they can't spend on something that matters more to them. IMO, not prioritizing your haters is actually pretty mature. Like, they weren't proactively using their free time to bully them or anything (except for arguably Fig). They were snippy with them when they crossed their paths and that was it. As opposed to the Rat Grinders who literally had to be told by Jace to stop antagonizing the Bad Kids (though they must have been pretty ineffectual at it because the Bad Kids hardly noticed, which I bet stung considering they were so obsessed).

And also, it's not like they didn't try at all with the Rat Grinders. Early Insight checks on Kipperlilly just got, "This is a polished steel orb of a personality" which doesn't sound very worth interacting with in a sympathetic way if at all and then the next big thing they learn is that she had hated Riz since Freshman Year and that she wants Riz and Kristen dead. And that's AFTER we saw her smile and kill her party cleric. In their position I'm not spending further time trying to empathize with this person, I have made my judgement and it's up to the Jawbones of the world to find if there's something in there to be rehabilitated.

And that's not the only case. Adaine straight up saved Ruben from disintegration during the Frosty Folk battle when she easily could have saved the spell slot, but that didn't soften him towards the Bad Kids any. Adaine also was really keen to Scry on the Rat Grinders to find out what was happening at their meetings. But, in scene at least, she was never able to do that so we never got a scene of them, huddled together, clearly unsure about the path they're on but not feeling like they can walk it back or say no to the authority figures in their lives. She didn't get anything humanizing that would cause her to rethink their position on them the way that she did with Aelwyn for instance. So why would they think they're anything but gleeful co-conspirators?

Hell, the one RG Adaine was even slightly curious about was Oisin and now we know that he was feigning interest in her which, man, can you imagine how much worse that would have felt if she'd actually taken the bait and pursued him beyond just thinking he was cute? Of course, it's possible that her interacting with him more along with some good charm rolls could have changed the narrative in some way but we can only go off of what we know to be true in canon and those facts are (1) He tried to get closer to Adaine while actively planning the downfall of her and her friends, (2) he (along with Ivy) was mean to Buddy behind his back while tricking him into a plan that would force him to go against his religious beliefs, and (3) he called his KVX related dragon ancestors to try to kill the Bad Kids and endanger the entire student body population. Three strikes, you're out. If I'm a Bad Kid I'm not super interested in whatever else is going on with him. And again, literally all of Adaine's friends (except Riz) gave her help to do an Insight check on him during their confrontation in the hallway so she was looking for something there worth engaging with, but she didn't get much.

Fig was fully doing CIA, MKUltra, Fantasy Geneva Convention violations on Ruben to try see if she could get information or flip him. I think she did it in an objectively insane way so I'm not entirely shocked that it didn't yield the exact results she was looking for. But she never found the smoking gun (or whatever the opposite of that is) in his head that would absolve him/show the Rat Grinders were being controlled and her messing with his dreams never flared his conscience enough to make him try to break free (as far as we know) which is what I assume she was going for. If I was Ruben looking for a way out but scared of the repercussions, I might go to Adaine who saved me from certain death earlier the same year and has helped saved the world 3 times with her party and their friends in high (and low) places. Maybe that's what Fig thought might happen but it didn't so from Fig's POV? Gave him a chance. Time to start blasting. And again, at that age, if I walked in to the first day of class and the first thing this random boy does is sneer at me and flaunt his musical success, I'm popping up on his Nemesis Alert at that moment. Doubly so after he tries to trick me and my friends into doing drugs so we get expelled. I'm surprised she tried at all with him.

Fabian absolutely tried to interact with Ivy--in large part for self interested reasons of course, but that doesn't change that he did it. And she came across as callous and unkind from the jump. Their final conversation before the latest episode is the one where she talks about wearing Mazey like a sweater and then says that Fabian missed his chance with her before stalking off. That's a pretty open and shut interaction. No way 17 year old me is like, "Hmm, but why is she acting so mean? Perhaps I should examine that more closely to further understand her." Nah, I've decided she sucks.

And Kristen has tried with Buddy literally up until the last moment. She rolled an Insight check on him right before the fight started and she got a 1. She got nothing from him.

Mary Ann is actually the only Rat Grinder who hasn't done anything to make a bad impression on the Bad Kids--the only thing she did was have a really good Bloodrush tryout. So no reason to hate her specifically (and, in fact, she is also the only Rat Grinder that at least half of them are positively obsessed with), but no reason to explore her further. And Kristen still tried giving her a stuffed animal and her response was that she already had that one and that she was going to give it away. What are they supposed to do with that?

Even when they tried, they didn't get information that was worth chasing when they were so busy and had to manage their free time. Gorgug didn't even slot in downtime to talk to his bio parents when they visited. Why would he spend any time on Mary Ann to figure out her deal? Maybe if they were given more explicit opportunities to interact with them in passing. If Mary Ann was shown at Bloodrush Games. If during class time Oisin tried to interact with Adaine. If Kristen ran into Buddy and Bucky talking. If any of their forays into talking to them or looking into them yielded anything actionable or that piqued their interest--they opened the door for Brennan to give them something more than once. But they never got anything that was worth investing more of their limited time into.

(And also, they didn't learn that Porter was involved until WAY into the last quarter of the episodes. Which absolutely could have changed things since, as far as they knew the RG's were working alone to raise this god which isn't crazy for them to think because Kristen literally did that last year and it was of her own free will. If they knew early that the RG's were smaller players in Porter's plot then maybe they would have been in more of a rescue mindset--especially since Fig has always mistrusted him--but that's not information they had and by the time they got it, the RG's were in deep hiding, like you said.)

And so, coming into the last few episodes, that's who the Rat Grinders are to the Bad Kids. A group of kids who they first heard about in the context of, "they famously hate you," even though they'd never interacted before. A group of kids who they already thought sucked even before they tried to kill the entire study body an hour ago. A group of kids who are trying to doom all of Elmville to eternal rage and who are willing and ready to kill them to do it.

With that context, yeah I think their actions are pretty understandable.

(Also, lmao. Yeah, I think calling Ivy basic would probably hurt her more than most things you could say to her.)

[jazzkrebber]

the saddest thing about me thinking I could survive in Ketterdam isn't even that the severe violence would kill me it'd be the weather

[bonefall]

Do you have a family tree for DOTC and the ancient tribes around the lake with Hollyleaf/Fallenleaf?

I don't yet. When I finish up my re-read, I'm going to gather ALL of the DOTC cats and start dividing them up into the three cultural groups. After getting them all in bundles, I'm going to whip them up into proper family trees.

If you're asking about canon's family tree... I can make it if you'd like, but I'd just be showing you the ticking timebomb of genetic diversity they set up for themselves. It's all Quiet Rainkin and random forest cats, most introduced after book 3. None of the other settlers had grandchildren and the living children have no mates.

Sun Shadow died.

Lightning Tail died and Acorn Fur was forced into a vow of chastity

None of Turtle Tail's kits have kits; one is in a vow of chastity

There's nothing to "preserve" about the canon tree, unfortunately. It's not really a "tree," it's more like a couple of bubbles with a ton of dead women floating around outside.

For funsies, let me try and remember all the "bubbles" off the top of my head, plus when the characters were introduced

Ravenstar x Juniper Branch (Book 6)

Milkweed x Leaf (Book 5, Book 2, plus existing kits with an unknown mate)

Misty (Book 2; kits have no kits.)

Shadowkin: Tall, Moon, Sun (1, 1, 5, extinct)

Jackdaw's Cry x Hawk Swoop (extinct)

Turtle Tail x Tom the Wifebeater (endangered)

Riverstar x Finch Song (Book 1, super edition)

Wind Runner x Gorse Fur (Moth Flight and Dust Muzzle are born in book 3)

Willow Tail (introduced with a sibling in book 4; extinct)

Shaded Moss was the father of Rainswept Flower (extinct)

Fox and Petal were siblings (Petal raised Misty's children)

I forgot the name of Drizzle's mom and sibling (book 6)

I think there's also a cat called Apple Bottom Jeans or something in Thunderstar's Echo who has a litter, but I can't remember her mate without google. There were also some litters born in Riverstar's Home I can't remember. I barely remember the side books, were there any others born in Shadowstar's Life...?

Here's all the pairings in the Quiet Rainkin family, as contrast;

Quiet Rain x Unknown (4 kits)

Clear Sky x Bright Stream (Died pregnant; gave birth to 2 dead angel fetus children in heaven)

Clear Sky x Storm (Thunder was the only survivor of 3)

Clear Sky x Star Flower (two litters; the first was 3 iirc, the second unknown)

Jagged Peak x Holly (3 kits)

Gray Wing x Slate (3 kits iirc)

Thunder x Violet Dawn (4 kits)

So... bottom line is, something like 50% of births were coming out of the Quiet Rainkin family, and they account for something like 30% of cats with existing family at all.

Personally, I think that's awful in a prequel arc that's supposed to be about ancestors. So I'm going to be making whole families for BB.

[the-acid-pear]

Alright so that was There Will Be Blood. Truly not a movie for me.

It is kind of like Fargo in that sense to me where it's like ... Undeniably a good movie. A very interesting movie. But a very fucking slow one. So, like I said, something you'd catch on cable TV! Which isn't inherently bad but it's not a movie I enjoy alone as much as I would with company.

I will be honest too I don't think the movie earns those 2 hours of runtime. Two and a half. A lot of this movie is genuinely nothing fucking happening and I don't care ✋ what excuse you have for it I do not have the eyes to watch at a white sky and white sand. You'll kill me. Like if at least we'd see my man do SOMETHING other that drag his feet and pussy around (/ref) I'd not mind. But this just feels like fluff because they don't add anything other than runtime there's nothing to get from these other than man. Bet it's fucking hot there innit.

But whatever. As for Daniel. I like him well enough. It's kind of hard to say anything about him that the movie doesn't spell out already. It's just a journey thru him getting more and more corrupted. The snake eating system that is capitalism. The hopeless endeavour. And you got everything and you got nothing. Even the tie between capitalism and religion...

Eli was way more compelling to me. Mostly bc he did Something. And expressed some sort of Emotion and Idea. Like I get I praised the way Daniel was handled but it was just boring after a while. I'm just watching some guy. Meanwhile ☝️ Eli my man who def sucked cock I know that but Eli my maaan. Something wrong with him 🫵

Like I don't know I struggle to connect with the movie in a way that matters. All I can do is analyze it from outside. And when I do I see it's a story only held together by these parallels. But they make me feel nothing. Because the characters behind these parallels we never got to connect with them. And I understand on paper how that matters but that doesn't change this feeling like a movie that'd have been a book instead. Because when I sit here in silence looking at these men just move around like a playhouse I just feel a little numb.

Like every message feels relatively straight forward. And what isn't feels unexplored. And the rest feels like fluff. It's a movie that carries it's weight it's not bad by any means but it just did absolutely nothing for me.

Anyway. Is this movie good? Yes, in its own way, it is. Do I recommend this movie? I mean ... I hardly do. Least you enjoy a western with all the slowness of a western then this won't be for you.

Glad to be able to RB fanart Knowing now tho 👍

Watching there will be blood. This guy's arms are so sexy

[necrotic-nephilim]

for the ask game (3)

au where all robins develop a mental link after fighting some magical criminal of the week. what would they see in each other's minds? what secrets and repressed feelings do they discover? how would they deal with it?

for the ask game!

oooh, i love telepathic links that end up revealing secrets. especially with a family like the Batfam, who are usually so convinced they're good enough at reading each other to not have many secrets kept. so weird reveals are always fun

if i did this, i'd do DamiTim. just because of all the like, "deep dark feelings that are being hidden" for Robin shipping, DamiTim is the most fun for me. you expect DickTim or DickJay or JayTim, even DamiDick. but there's something that's so enjoyable about Damian having his feelings forcibly outted. not just to Tim, but to everyone. the way it'd be an active landmine none of them knowing what to say but all feeling each other's reactions. i honestly think Damian would try to punch somebody about it. (also, if you do a history of TImSteph where they've had sex, Damian would be directly linked to Steph's memories of how Tim was in bed, so that's fun as both something horrifying and enlightening just to screw with his feelings some more.) would they end up together? in my head probably, but it'd be weird and likely toxic bc how do you date someone you know inside out and know exactly what they think of all your flaws and what parts of you they obsess over. the answer is not very well but hey, the sex is good-

i think Jason *directly* feeling how everyone felt about his death would really rock him. he's heard all the apologies, but part of him isn't convinced there's truth to them. so to be crushed by Dick's *grief* over his death would be a come to jesus moment for him. but on the less fun flipside, you have him feeling how Dick feels about him *now*. because Dick doesn't really *like* Jason and deep down, sees Jason as a lost cause. that's his "deep dark secret". and Jason would feel and know that from the one person who he still wants to believe in him. i really do think Jason would have the Worst Time with all this, overwhelmed with everyone's intimate and complex feelings over his death. Jason is a very defensive person when it comes to his death and how reactionary he gets when other people make it about them, not him. so for Jason to have to constantly deal with that in his head, i truly do think he'd lash out a bit. the arguments. yelling at Dick and feeling Dick's guilt and snapping bc Dick has no right to feel guilty now. feeling that Tim viewed Jason as a failure. it's just a damaging mindspace to be in and man do i think Jason would take a While to recover.

oddly though, i think it'd be a good bonding moment for Steph and Jason. we really don't get much exploration of Steph and Jason bonding over dying. bc sure, Steph didn't actually die, but she *did* experience the social death where everyone believed she was dead and mourned her as such for a good while. she also felt *directly* responsible for her own death. a lot of blame falls on Steph for War Games (for the Doylist reasons of sexism but yk) and Jason feels responsible for his own death for walking into a trap. but unlike Jason, Steph had no suit in a case, no memorials, her name held no infamy. so i think she deserves just a bit of righteous fury about how dramatic Jason can be while she just has to move on bc hey, it's not like she *really* died. and she buries those feelings well, but not well enough to hide them from a mental link. and Jason, who hasn't really considered Steph before because he was so wrapped up in his complex over Tim, confronts those feelings with her. if anyone is going to know how he feels, it's going to be her. you could do it platonic or romantic, but i do think when Jason sinks to his lowest, she's the one who snaps him out of it, both with tough love and genuine compassion for his situation.

for the less serious crack of it all: they're all going to have far too intimate knowledge of each other's sex lives. everyone's gonna know Dick has fucked Slade. everyone's gonna know Jason has fucked Talia. in my heart, i believe Tim has slept with Anarky (Lonnie, not Ulysses) and everyone would *know* that too. absolute judgment all around. it's the spider-man meme of "wait you've done WHAT with WHO" and honestly, it gives a nice distraction for the more serious feelings. it's a palette cleanser they can default to. like when the fighting gets a little too serious and they're cutting too deep for comfort, someone's going to blurt out "well at least i didn't fuck Deathstroke." and the whole moment goes awry with laughter. bc i do think, at the end of it once they get through the worst of the angst, they'd be closer for it and self-aware of the ridiculous nature of all this. it's enlightening, in a way to see how they all felt about their time as Robin and the baggage/trauma they hold. even the ugliest feelings they hold for each other don't completely suffocate the fondness/respect.

that said, knowing the baggage/trauma. oof. i don't think Dick has ever fully opened up about his history with Mirage/Tarantula/Liu and now it's forced to sit in the open. Damian has never admitted the worst of being raised in the League. Tim hasn't fully faced the suffocating image of his dead father and his deep-seated want to kill Boomerang. all those ugly truths they stamp down bc well, either you're a vigilante or you're a well adjusted person, are out in the open now. and it's ugly and gruesome to force those thoughts to be shared. they all want to comfort each other for different reasons, while simultaneously not wanting their own trauma to be acknowledged. it'd be fun to see who'd instinctively react to whose trauma first. because it's an overwhelming rush of information, and you just naturally get pulled in certain directions. i think Damian would react to Dick's history of sexual abuse first, whereas Jason would be reacting to the murderous rage TIm is trying to fight off. Tim is reacting to just how much guilt Steph carries about War Games and all of it is very crunchy. there's so much they'd all have to talk about and it'd take days for them to address it all, between the arguments about the ugly parts. would they come out stronger for it? yes. but only if they didn't kill each other in the process. i hesitate to do a "and they come out one big happy family" ending, bc it's not very in canon, but i do think the bond of the Robin mantle is something special. even when the link is broken, they hold onto a freakish understanding of each other. they react and move in sync, can fight together without needing words. are they emotionally on the same page/have they forgiven each other for the worst of it? absolutely not. but they've got each other backs. it's a very much "if you called i'd drop everything to save you. but also we don't have it in us to hang out casually." bond, which i think is deeply underrated in fanfiction. sometimes, you can care about people but you have to do it from a distance.

[fruityindividual]

no one on this bus knows that i've had a balanced breakfast

[thatswhatsushesaid]

Honestly the empathy sequence makes NMJ kinda strike me as an entitled/abusive parental figure. Maybe I'm just drawing paralels that aren't there, but:

Feeling entitled to JGY's time and attention? He interrupts his conversations with LXC (twice, I think), one of said times because he was eavesdropping on them AND got angry about JGY expressing fear to LXC IN PRIVATE

Not letting JGY explain himself/ not listening when he tries. At the point of the staircase scene NMJ has been poisoned to hell and back by baxia, but I do believe it's not just that. He sees his moral code as absolute certainty and his inflexible nature makes it that he doesn't take well to deviance from that. Aka has to get his way or gets Angry

I think NMJ was an absolute idiot to let JGY ppay clarity for hin after the staircase thing! That draws more into the paralel because abusive people often hurt others and then act like nothing happened, as if their target doesn't have the right to be upset (see again: qi deviating over JGY expressing fear to LXC). NMJ does this to a degree that paints him as almost oblivious imo

I actually do quite like NMJ but he's. So many shades of fucked up, Christ alive

i am going to proceed cautiously here for several reasons, but primarily because:

i have been drawn into the "is nmj an evil abuser" discourse once before on discord (in defence of da-ge, believe it or not) and i Did Not Enjoy It At All, Actually, and

while i think the behaviour described above absolutely qualifies as abusive, nmj's intentions also matter, and i don't think what nmj is trying to do can be boiled down to simply exerting coercive control over jgy. initially on the hejian front when he eavesdrops on meng yao and lan xichen, he wants to help him; the second time he eavesdrops, it's because he straight up views jgy as a threat, and decides to kill him because of it.

imo their dynamic is dysfunctional and toxic and is a powder keg set to explode essentially from the moment nmj sees meng yao killing the jin commander on the langya front, but i think calling it abusive is an over-simplification of what is going on between them.

that said, i do think there is a character in the novel canon who nmj repeatedly tries to exert coercive control over, who is fully and unquestionably under his authority and influence, and who he treats with wildly vacillating levels of either patience or explosive anger depending on the canon point, and that character is nie huaisang.